I have to tell you ... I withheld comment on much of the Miley Cyrus/Robin Thicke whirlwind when it happened. I'm somewhat of an observer. I tend to sit back, take it all in, and slowly form an opinion. I don't like going off half-cocked without really thinking things through.
I don't particularly care about being "the first" to talk about something. I care about being right, and being well-spoken.
So it's now, as things are starting to die down, that I have something to say as a mother, about the travesty that took place at the VMAs.
I'm not going to comment much on the actual performance. That's been done to death, and I think we all know what the general population thinks about the "artistry" of the collaboration between Thicke and Cyrus.
What I am going to comment on is the music itself.
Yes, the music. Because the VMAs were celebrating what was arguably the summer's biggest pop hit - a song about a guy who essentially wants to corrupt what he considers to be a "good girl."
It's about going too far - a guy dancing along the gray line between right and wrong, and feeling like maybe he crossed what, for him, has become a blurred line of morality.
Some people have argued it's about date rape.
It's definitely about tossing traditional conventions like marriage aside in favor of embracing your animal instincts with no boundaries or consequences.
What could possibly be right about that?
Mothers: I know I'm not alone when I say that beyond the gyrating, foam finger-biting, and general jackassery that took place on the VMA stage, I absolutely do not want my children idolizing a song that so greatly disrespects something as beautiful as marriage.
I can't say that I'm surprised at Robin Thicke's nerve. I mean, this is a man who has made tabloid news for his rumored open marriage. The words "open" and "marriage" go together about as well as "mayo" and "heat wave."
The whole concept of marriage is to commit to love, honor, AND BE FAITHFUL to one person, for you know ... EVERY DAY, FOR THE REST OF YOUR LIFE.
Ok - moving on to the other song in that collaboration. Miley's summer song is all about partying. And when I say partying, I mean drinking, dancing, doing drugs, and to put it like Miley herself, "doing whatever you want." It flaunts the thought that anyone who would try to tell you that you're doing something wrong is just a "hater" who is trying to judge you.
Wrong, wrong wrong. Just ... no.
Is it any wonder that with messages like these, and lyrics that so completely flaunt the type of behavior most people would consider to be indecent and inappropriate, that we would witness something as totally devoid of a single iota of self-respect as what we saw on the VMA stage?
I've got to tell you: there is nothing "judgy" about telling someone that their behavior is wrong. Welcome to the real world, where we as a society have absolutely created a standard of behavior that we expect others to uphold. And when they fail to do so, we put them in jail, rehab, mental institutions, etc.
Moreover, I reject the notion that my children should grow up with the concept that they can do whatever they want.
Miley - you weren't spanked enough by the RIGHT sort of people. Namely, your parents.
Robin - clearly you have no concept of what marriage means.
If I had any doubt based solely off of your lyrics (I didn't,) your utter disdain and disregard of what the term "husband" means was made excruciatingly clear when you allowed another woman to grind her rear against your groin on National TV in a disgusting display known as "twerking."
Here's the real question that I pose to mothers out there:
why would you listen or worse, let your children listen to songs like these?
How are these the hits of the summer? Because I've gotta tell you: nobody should've been surprised by the show we were given at the VMAs, based on the lyrics of the songs and the lives led by the artists themselves. Why is it that NOW the world is all aflutter at the lack of basic decency shown by these singers?
The very fact that this is being touted as "art" makes me concerned for the future of music. As a musician, I reject the notion that Miley Cyrus is on par with artists like Sara Bareilles, Ingrid Michaelson, and Michael Buble.
So as a mother, I've challenged myself to take the only step that really matters: I'm boycotting Miley Cyrus and Robin Thicke.
This is especially painful for Miss Cyrus. I remember the days when she had a smidgeon of decency, and I loved her song "The Climb." I never much cared for Robin Thicke, but I watched Miley grow up, go through her awkward teen years, and devolve into what she has chosen to become as an "artist."
But here's the thing: I can't support someone whose message is now so fundamentally lacking in morality.
Moreover, I can't let that message through my speakers and into my children's innocent, impressionable ears. It is that very thinking that is at the root of teenaged pregnancy, addiction, and divorce.
So - above and beyond what happened at the VMAs, I reject the music being touted as popular and "hit-worthy."
Robin Thicke, you may have trouble discerning lines, but I certainly don't. And you've crossed them with your latest "hit."
Miley Cyrus, maybe you can't stop, but I can certainly stop you from influencing my children.
So when your songs come on the radio, I'll be changing the station. And when I see you performing on TV, I'll change the channel. I won't buy any of your songs. My children won't own your posters or go to your concerts.
Period.